California Collector Challenges Seizure of Roman Statue by New York Investigators

Khushbu Kumari
California Collector Challenges Seizure of Roman Statue by New York Investigators
California Collector Challenges Seizure of Roman Statue by New York Investigators

A California collector moves to block New York investigators from seizing an ancient Roman bronze statue allegedly looted from Turkey in the 1960s.

Los Angeles, California: In a dramatic turn of events, a California art collector has taken legal action to prevent New York investigators from seizing an ancient Roman bronze statue that is at the center of an international dispute. The statue, believed to be over 2,000 years old, has been claimed by Turkey, which asserts it was looted from its territory in the 1960s. The collector, whose identity has not been publicly disclosed, filed a court motion on Monday, arguing against the seizure and challenging the jurisdiction of New York authorities in the matter.

The Disputed Origin of the Statue

The ancient Roman bronze statue, depicting a young man in a dynamic pose, is believed by experts to have significant historical and cultural value. The piece has been part of a private collection in California for several decades. However, recent investigations by New York authorities, in collaboration with Turkish officials, have raised questions about its provenance. According to New York investigators, evidence suggests the statue was illegally removed from Turkish soil in the 1960s and subsequently sold on the international art market.

New York’s District Attorney’s Office has been working closely with the Turkish government to trace and recover looted artifacts, and the statue in question has been identified as a key item in their ongoing investigation. The DA’s office contends that the statue was illicitly excavated from an archaeological site in southwestern Turkey before being trafficked to Europe and eventually acquired by the California collector.

Legal Battle Unfolds

The California collector’s court filing challenges the basis for New York’s involvement in the case, arguing that the investigators lack jurisdiction over an item that has been legally acquired and maintained within California state lines for decades. The collector’s attorney, Mark Stevenson, stated, “Our client purchased this statue in good faith, unaware of any claims of illegality. The attempt by New York authorities to seize the piece constitutes an overreach and lacks proper legal grounds.”

The defense further argues that the statue’s origins cannot be definitively proven to be Turkish and that the claims of looting are speculative and unsubstantiated. “This case sets a dangerous precedent for collectors worldwide, where artworks are continually under threat of seizure based on tenuous historical claims,” Stevenson added.

Turkey’s Stance and New York’s Determination

Meanwhile, the Turkish government has welcomed New York’s efforts, insisting that the statue is an integral part of its cultural heritage. Turkish officials maintain that the statue was illegally removed from a protected archaeological site and that its repatriation is essential to preserving the country’s history. The Turkish Ministry of Culture has vowed to support New York’s efforts to ensure the statue’s return.

New York District Attorney Cyrus Vance Jr. has expressed his office’s commitment to pursuing the case, stating, “We are dedicated to restoring stolen cultural artifacts to their rightful owners, no matter how long it takes. The evidence we have gathered strongly suggests this statue was wrongfully taken, and we intend to fight for its return.”

What’s Next?

The case is expected to draw significant attention from both the legal and art communities. If the California collector’s bid to block the seizure is unsuccessful, the statue may soon be on its way back to Turkey. However, if the collector wins the case, it could set a legal precedent for other similar disputes involving artifacts with contested origins.

The court's decision could have far-reaching implications for international art transactions and the repatriation of cultural property, highlighting the ongoing tensions between collectors, dealers, and countries of origin in the complex world of antiquities trade.