Amanda Miguel reveals why she's not interested in collaborating with Angela Aguilar
The iconic Argentine singer revealed the names of the artists she's looking for for her next duets album, and Pepe Aguilar's daughter isn't among them
As part of the preparations for her new collaborations album, Amanda Miguel once again grabbed headlines for her characteristic honesty. During a recent press conference at an event for the play "Mentiras" in Los Angeles, Diego Verdaguer's widow was asked about the possibility of including Angela Aguilar in her project, and the singer surprised everyone with her response. Without mincing words and with the confidence that comes from more than four decades in the business, Amanda Miguel was emphatic when asked if she was interested in working with Pepe Aguilar's daughter: "No, her voice doesn't appeal to me," she stated firmly to the program "De Primera Mano." Even when reminded that the young woman has formal musical training, the singer of "El me mintio" simply responded with an "ok," making it clear that Angela's profile doesn't fit her current artistic vision. The Argentine singer explained that, from her perspective as a musician, she isn't easily swayed by trends. “Nobody's going to fool me… I pay close attention to the artist's message and their integrity,” she stated. For this new album, where she seeks to reinterpret her greatest hits with female voices, Amanda Miguel already has her favorites. Among those chosen are Belinda, whom she fervently defended, asserting that she is one of the few who can sing her songs in the original key, and Karol G, whose voice she admires. However, the biggest surprise was her enthusiasm for collaborating with her fellow countrywoman Cazzu, whom she described as a “prodigious woman” and with whom she hopes to record a duet soon. With these statements, Amanda Miguel reaffirms that for her next album, the priority is vocal power and personal affinity, leaving out artists who, despite their popularity, fail to captivate her demanding artistic ear.

